An activist organization has claimed to have harvested millions of tracks from the popular streaming service and is getting ready to publish them online.
Possible Impetus for Artificial Intelligence Training
Industry experts said the seeming leak could aid artificial intelligence firms looking for material to train their technology.
An entity known as Anna’s Archive reported it had obtained 86 million music files from Spotify and 256 million entries of metadata such as artist and record names. The company, which carries more than 100 million tracks, confirmed that the leak did not constitute its full catalog.
“We have located and deactivated the nefarious user accounts that were involved in illegal scraping,” said a Spotify spokesperson.
The Swedish company, which has more than 700 million subscribers worldwide, further explained that an investigation into unauthorized access identified a external actor scraped public metadata and employed questionable methods to circumvent DRM protections.
Archive's Declared Mission and Worries
The streaming service does not believe the audio acquired by Anna’s Archive has been released yet. Anna’s Archive, which is recognized for providing links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
The group asserted the audio files represented 99.6% of all music listened to by its listeners and would be shared via ‘torrents’, a method of sharing large digital files online.
“Naturally the service doesn’t have all the music in the world, but it’s a great beginning,” said Anna’s Archive, which describes its purpose as “preserving humanity’s information and culture”.
AI Training and Intellectual Property Battleground
Ed Newton-Rex for protecting artists’ rights, remarked the leaked music would probably be used for training AI models.
“Educating models on illegally sourced material is sadly widespread in the tech sector, so this accessed music is almost certain to be used instructing AI models,” he said.
The group's website makes references to LibGen, a huge online archive of copyrighted books that has allegedly been used by the parent company of Facebook to train its systems.
A founder of an AI startup wrote on the professional network that members of the public could in theory “build their own personal free equivalent of the service”. He said it could also enable technology firms to “train on contemporary music at a large volume”.
Intellectual property law has emerged as a key issue between creatives, writers and content creators on one side and AI companies on the other.
Policy Considerations and Reactions
Across Britain, artists and writers have protested against a ministerial suggestion to allow AI companies utilize copyright-protected work without consent unless the owner signals. Virtually every participant to a government consultation on the proposal has supported artists’ concerns.
A government minister for technology, research and development informed parliament this month there was “little consensus” on the matter, adding that ministers would “take the time to get this correct”. The government has committed to make regulatory plans on AI and copyright by next year.